Friday, 26 December 2025

The Buga Sphere


Not archaeology, but claimed by some to have ancient symbols on it. The so-called “Buga Sphere” is a mysterious metallic orb discovered near Buga, Colombia, in early March 2025, after multiple witnesses reported seeing an object flying overhead in an erratic, zigzag pattern before landing. Roughly the size of a football and weighing about 4.5 pounds, the sphere immediately attracted attention because of its unusual construction and the circumstances of its appearance, prompting speculation that ranges from advanced contemporary art to extraterrestrial technology. Scientific inspections reported by researchers such as José Luis Velazquez describe the object as having a seamless, three-layered, metal-like structure with no visible welds, joints, or points of assembly, suggesting it may have been formed from a single piece of material. X-ray scans have reportedly revealed a complex internal structure, including nine micro-spheres embedded within the layers and what some accounts describe as a central chip-like element. 

The surface of the sphere is marked with carved, cryptic symbols that resemble ancient scripts such as runes or Ogham, leading some observers to interpret them symbolically, even as messages relating to consciousness, though such readings remain highly speculative. 

Additional mystery has been generated by viral videos claiming that the sphere reacts to sound, emitting vibrations or electromagnetic surges when exposed to specific frequencies or spoken Sanskrit mantras; however, the authenticity and scientific reliability of these demonstrations are widely questioned. While Velazquez and others point to the lack of seams and the object’s internal complexity as potential evidence of a non-human origin, researchers such as Julia Mossbridge urge caution, suggesting that the sphere could equally be an elaborate Earth-made object, possibly an advanced art project or a deliberately provocative device. 

The object is reportedly undergoing further study, including analyses associated with the National Autonomous University of Mexico (UNAM), but no definitive conclusions have yet been reached. 

At present, the Buga Sphere is widely regarded as a real physical artefact of unknown origin, with ongoing scientific investigation, public fascination, and substantial skepticism coexisting as experts caution against prematurely labeling it either alien technology or an outright hoax.

Some People Never Learn (I)


A graduate of the US's Samantha Fulnecky schooling system Jimmy Corsetti (@BrightInsight6 Dec 21), "Investigator of Lost Ancient History"* reckons:
Establishment (sic) Archaeologists are going to be BIG mad over my upcoming video. See all this dirt, stone and rubble? Excavating Gobekli Tepe is a literal rubble removal project 💯 Archaeologists have SO many things wrong about this site, I think their heads are gonna explode 😂"
Namely:
"My latest video is now LIVE on YouTube [fire emoticon] "What They FOUND at Gobekli Tepe MUST be Addressed..." There was a significant discovery made at Gobekli Tepe in involving a human Statue, which raises many serious questions about what is one of the world’s oldest, most mysterious, AND arguably the MOST important ancient archaeological site on earth.

 Here's this allegedly "explosive" video....

.

The crux of this revelation (Jimmy Corsetti @BrightInsight6 Dec 23):
"Ain’t no way whoever initially built Gobekli Tepe put this Statue here… Archaeologists absurdly claim this was a 12K yr old sacred offering to the Gods, deliberately placed under this sloppy wall of crude rubble as a gift… Give me a break. This was clearly REPURPOSED, and *not* a ‘votive offering’ worthy of the eminence of Gobekli Tepe and its sophisticated T-Pillars. SOURCE: Uh, just look at it and use your God given discernment, et al.
Oh, and Noah was real, and he and his three sons (Shem, Ham, and Japheth of the foundation myth) built this site as their post-Flood "altar" (where they heard the Lord's Testament) on the slopes of Ararat (the mountains of Urartu), including excavating out all the sunken special buildings and cutting, hauling and erecting all those "pillars" that gets Corsetti so orgasmic. I am sure there is a way this makes sense to him and his slackjaw followers among his Biblical-literal countrymen. Personally, I'm not so impressed by a self-professed "investigator of lost ancient history" who's not gone into the background of the book of Genesis and the stories, fables and made-up nonsense that it contains. I see no link with the (actual) Biblical narrative and the Sanli Urfa region. Corsetti does not enlarge on why he does, but he's several timres in the past referred to the "pillars with the pictures of animals on them" to Noah's Ararat-altar. So I do not know why "establishment archaeologists" are going to be "head-explodingly mad" over his repeated unsupported statements about what HE believes. Of the few archaeologists that pay attention, bemused maybe. Corsetti has no credibility because it is clear he does not know or understand what he's looking at. 

This is despite people telling him what the site consists of. Repeatedly. Including by people who actually dig there. Corsetti's latest provocatively arrogant response to that?
"Jimmy Corsetti @BrightInsight6 Dec 21
The walls are not original. I understand you think they are, but despite your credentials, you’re wrong and simply don’t understand what you’re looking at!"/ The T-Pillars are original. The sloppy crude walls are not.
He's been to the site, in his "danger mouse disguise", but was too busy posing to look all that closely at the stratigraphic relationships between the walls and the adjacent pillars, some of which are so clearly built INTO the walls that their bases stand on the lower courses. What a buffoon.




* 1.7M subscribers on YouTube, Veteran 🇺🇸 | MBA | JRE Podcasts: 1742/1928/2231

MAGAmerican Archaeology Grabfest Concept for Gobekli Tepe on YouTube (Some People Never Learn II)


    No flowery shirt today, but just as apodictically Karenish and squeaky.    


Arizonan ex-store detective Jimmy Corsetti has never read an archaeology book in his life. But he's confident he knows "all about" the discipline. So here in his shouty video "What They FOUND at Gobekli Tepe MUST be Addressed..." (Bright Insight, Dec 23, 2025) he shares his wisdom with his 1.7 million followers, based on the rather simplistic and ill-informed principle that "the truth as to what this ancient site actually was is written (sic) on the pillars themselves":
"I tell you that there's been an egregiously unacceptable lack of excavations at Göbekli Tepe. I usually point out that approximately 128 pillars of the 200 they know exist are still completely buried in the earth, and again, many of which have only been partially excavated and haven't been fully seen or documented as they've been left partially buried, which if you ask me is insane considering that they could physically do it in a single day if they actually wanted to. In fact, just look at the vast portions of dirt and rubble that have been left "in situ" (which means they've been left exactly as archaeologists originally found it during their initial excavations). And notice that so much of this one confined area of Göbekli Tepe is still totally consumed (sic, he means 'concealed') with dirt, stone, and rubble that is yet to be removed. What are archaeologists even doing out here? Seriously, take a look and notice that there is an enormous amount of debris still covering the entire site and ask yourself how this is all they've managed to dig and excavate over the last 30 years since excavations began in 1995. Just look at it, as pictures are worth a thousand words.

And you know what? I'll take it a step further. Archaeologists will hate me for what I'm about to say, but I'm going to say it anyway because it is the truth.

Excavating Gobecée is easy. It is a literal rubble removal project, and I'm not joking.

So much of this site could easily be excavated if they got a few dozen archaeologists to work as a human chain and physically remove one stone after the other, and they could easily do this all while taking safe care of the archaeology itself, and while thoroughly documenting every bit of the archaeological fragments they find as they go, with the use of numerous cameras, LIDAR (sic!) scanning, and including 360° filming while simultaneously removing all this debris. They could record every bit of it for their own archaeological documentation purposes and get this dirt and rubble the hell out of there in a remarkably short period of time if they actually wanted to."
What is galling about this is that Corsetti has been told several times when he's said the exact same things where he is misrepresenting the nature of the stratigraphy of the site, and the complexity of dissection and recording them, while leaving a site to be visited, displayed and interpreted.

Archaeologically, the "pictures" (not writing) on the pillarss, and the other scupltures do not tell anything like the full truth/story about the site. They are a single component of the archaeological record there (and the other Tas Tepeler sites). So Corsetti's wrong from the outset, as well as demonstrating his total incapacity to learn from what people havce taken the time to try to explain to him..

The claim that Göbekli Tepe could be excavated in a single day—or even a very short time—by simply removing “dirt and rubble” reflects a profound misunderstanding of what the site consists of, how archaeological knowledge is produced, and what excavation actually destroys. Far from being a straightforward clearance operation, Göbekli Tepe is an exceptionally complex archaeological palimpsest in which context, not a heap of dugup objects, is the primary source of information.

First, the material described dismissively by Corsetti as “dirt” is in fact highly structured stratigraphy. At Göbekli Tepe, the fill is neither random nor accidental. Much of it represents accumulation of material from downslope slippage, but also probably dumping and levelling operations during the use, and later abandonmenbt of the area. These deposits contain patterned distributions of lithics, faunal remains, architectural debris, and sediments that record distinct episodes of use, modification, and intentional burial. Removing this material wholesale would permanently erase the very evidence that allows archaeologists to reconstruct chronology, ritual practice, construction sequences, and site function. Once a stratigraphic layer is removed without controlled excavation, its information is irretrievably lost, no amount of video recording or post hoc digital modelling can restore it. The same principles apply if the excavation is in the USA or here in the Middle east.

Second, what is characterised by the YouTuber as “rubble” frequently consists of architectural elements, including dry-stone walls, sockets for T-pillars, prepared floors, and collapsed or dismantled structural components. These are not interchangeable stones but parts of engineered systems whose meaning lies in their precise spatial relationships. Excavation therefore proceeds at the scale of centimetres, not truckloads, because understanding how stones relate to one another is more important than removing them quickly. Treating the remains of architecture as bothersome "debris" obscuring the decorative scheme utterly misunderstands the difference between construction waste and construction evidence and how that evidence is read.

Third, the suggestion that comprehensive documentation could be achieved through cameras, LiDAR, and 360° filming conflates recording mere appearance with recording archaeological relationships. Archaeological documentation is not a matter of visual capture alone. It involves interpreting interfaces between layers, identifying subtle soil changes, recognising negative features such as cuts and fills, and continuously revising hypotheses as new relationships emerge. These decisions are made during excavation and depend on slow, iterative and expert human judgment. Technologies like photogrammetry and laser scanning are valuable supplements, but they do not replace stratigraphic reasoning; nor do they permit excavation to be “sped up” without sacrificing analytical resolution.

Fourth, it cannot be stressed enough that excavation is inherently destructive. To excavate a site is to dismantle it permanently. For a site as unique as Göbekli Tepe this imposes a strong ethical obligation to proceed cautiously, selectively, and reversibly where possible. The evidence can be sampled, removing the bare minimum to answer specific previously carefully-formulated research questions. Leaving large portions unexcavated is not evidence of neglect or incompetence; it is a deliberate strategy that preserves parts of the site for future research questions, improved methods, and future generations. Rapid excavation would exhaust this non-renewable resource in the service of spectacle and sensation rather than understanding.

Finally, Göbekli Tepe is not a single structure but a multi-layered tell spanning centuries of activity, erosion, reuse, and disuse. Excavating “everything” quickly would collapse these temporal distinctions into an undifferentiated mass, undermining the very reason the site matters scientifically. The slow pace of excavation is not a logistical failure but a reflection of the site’s density, fragility, and interpretive importance.

Why does Corsetti have such a difficuly grasping what seems to me to be a pretty simple concept?

In short, Göbekli Tepe cannot be excavated quickly because it is not an obstacle to be cleared but a record to be read—one written in fragile layers, spatial relationships, and intentional acts of construction and concealment. The idea that it could be stripped in a day rests on a category error: mistaking archaeology for earthmoving, and documentation for understanding.

A British YouTuber Discusses the Gobekli Tepe Statue in a Wall


Jimmy Corsetti's shrill shouty video with its entitled attacks on Turkish and German excavators of Gobekli Tepe is an embarrassment for the amatuer community. Not all videos in the genre are as bad. Matt Stibson's Ancient Architects YouTube channel (629K subscribers) is another level entirely. The author is typically very well-informed, well-read, articulate, and clearly thinks through the implications of the material. I recommend his works for those who want a less sensationalised, less superficial, less shouty approach to trying to understand the past. He deserves more followers, drop him a "subscribe", you'll not regret it. He uses the same (kinds of) monuments as the demented pseudoarchaeologists at the other end of the amateur archaeology content creators arc but the effects and information value are of quite a different quality. He often quotes sources which is more than most YouTubers do. (This is not to say I always agree with his conclusions, but he always draws them based on the evidence, the way he sees it.)

So his presentation three months ago of the same statue as Corsetti was ranting about tells you where it was found, gives its context in relationship to a second one found earlier (which Corsetti seems unaware of and confuses pictures of the two) and generally thoughtfully discusses its significance and function [but in a totally different way to the MAGAmerican].

Posted on You Tube by Ancient Architects Sep 23, 2025.
So far it has only 125K views (Corsetti in a few days has already accumulated 401,932 views - it seems there are more haters than knowledge seekers in [GobekliTepe-focussed] archaeo-YouTube).


Thursday, 25 December 2025

Tuesday, 23 December 2025

Cultural Illiteracy: Classical Architecture Misconstrued

Quelle surprise:

Culture Explorer @CultureExploreX 23/12/2025
This image quietly destroys one of the most repeated myths in history.
What we call “classical” architecture is not Greek but really a continuous thread across civilizations. The real shock is how much of the ancient world had already been standing tall before the Greeks. 


The Zelitsky-Weinzweig Cuban Underwater Formation

                Location (BBC)                         

The Zelitsky-Weinzweig Cuban underwater formation is a site discovered by a sonar survey in 2001 thought by pseudoarchaeologists to be a submerged structural complex off the coast of the Guanahacabibes Peninsula in the Pinar del Río Province of Cuba (BBC, ' 'Lost city' found beneath Cuban waters' BBC, 7 December, 2001).
A team of explorers working off the western coast of Cuba say they have discovered what they think are the ruins of a submerged city built thousands of years ago. Researchers from a Canadian company used sophisticated sonar equipment to find and film stone structures more than 2,000 feet (650 metres) below the sea's surface. [...] Advanced Digital Communications is one of four firms working in a joint venture with President Fidel Castro's government to explore Cuban waters, which hold hundreds of treasure-laden ships from the Spanish colonial era. The explorers first spotted the underwater city last year, when scanning equipment started to produce images of symmetrically organized stone structures reminiscent of an urban development. [...] "It's a really wonderful structure which really looks like it could have been a large urban centre," ADC explorer Paulina Zelitsky told the Reuters news agency.
A computer-generated image based on the sonar imaging of the underground structures off the coast of Cuba (photo credit: courtesy of ADC cor)


Sonar images interpreted as being symmetrical and geometric stone structures resembling an urban complex were recorded covering an area of 2 square kilometres (200 ha) at depths of between 600 metres (2,000 ft) and 750 metres (2,460 ft). The discovery was reported by Paulina Zelitsky, a marine engineer, and her husband Paul Weinzweig, owners of a Canadian company called Advanced Digital Communications. The team returned to the site a second time with an underwater remotely operated vehicle that filmed sonar images interpreted as various pyramids and circular structures. The discoverers for some reason claim that these were "made out of massive, smooth blocks of stone that resembled hewn granite". 

The depth is unusual, it has been stated that these structures could have been at sea level 50,000 years ago. 
 
Although the initial discovery was widely reported in the press and briefly discussed in outlets like BBC News and National Geographic, with speculation about its age and potential significance, there has been no major documented scientific expedition or systematic underwater excavation after the early 2000s. No detailed results or reports were ever published in academic journals, and it appears that any further more detailed work took place or yielded no further publicly available findings. There is no peer-reviewed archaeological publication confirming the site as a human-made structure, the sonar findings and ROV footage from ADC have not appeared in mainstream archaeological or geological journals as formal, peer-reviewed research. There are no confirmed radiometric dates, stratigraphic profiles, tool marks, or recovered artefacts published that would support an anthropogenic interpretation at this site. As a result, The expert consensus — as reflected by geologists, oceanographers, and archaeologists — remains sceptical or cautious.Morphology and symmetry alone are insufficient to infer human construction; many geological processes can produce regular shapes at the seafloor. The site still exists physically: The underwater topography seen in sonar remains part of the seafloor off Guanahacabibes, and is available for re-surveyy at any time (given the agreement of Cuban authorities). The question is why nobody interested in "alternative pasts" has taken a serious interest in organizing such an expedition. As Keith Fitzpatrick- Matthews puts it:
" The story was given a new lease of life thanks to its exposure in Ancient Aliens, but no new information about it has emerged. After the initial flurry of excitement, once scientists began to look critically at the data, especially the sonar images, the story could be seen to be nothing more than hype. For anyone outside the small band of “alternative researchers” and New Age true believers, the story simply died for lack of evidence. But when did a lack of evidence ever stop woo-woos making unsupported claims?"

See also:
'Zelitski, Paulina' in Atlantipedia  June 13, 2010. 

Linda Moulton Howe, 'Update on Underwater Megalithic Structures near Western Cuba', Wayback Machine November 19, 2001.

Keith Fitzpatrick-Matthews, 'An underwater city west of Cuba', Bad Archaeology 28 October 2012.